{"id":29747,"date":"2026-06-15T21:27:02","date_gmt":"2026-06-15T21:27:02","guid":{"rendered":"https:\/\/immigrationglobalspace.com\/blog\/?p=29747"},"modified":"2026-06-17T15:35:13","modified_gmt":"2026-06-17T15:35:13","slug":"i-am-an-american-the-album","status":"publish","type":"post","link":"https:\/\/theimmigrantstory.org\/i-am-an-american-the-album\/","title":{"rendered":"I Am An American \u2013 The Album"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/immigrationglobalspace.com\/blog\/wp-content\/uploads\/2026\/06\/IAAA_AlbumArt_wordpress.jpg\" class=\"ff-og-image-inserted\" alt=\"image\" \/><\/div>\n<p>I Am An American \u2013 The Album is a collection of pan-Asian music highlighting traditional Asian instruments backed by Western classical harmonies. \u00a0 <span id=\"more-24874\"><\/span>Featuring intriguing combinations of musical sounds never heard before, it is performed by an eclectic group of musicians who came together just for the occasion of a single concert,\u00a0 \u201cI Am An American Live\u201d, in the Patricia Reser Center for the Arts in Beaverton, OR on May 6, 2022.<\/p>\n<p>All of these pieces were composed and arranged by Balamurali Balu (Bala), a well-known composer and music producer who writes music for the Tamil film industry in southern India.<\/p>\n<p>This unique music, which represents the blending of some of the most ancient musical traditions and instruments of Asia to create something new, celebrates the rich cultures brought to the United States by multiple generations of Asian Americans.<\/p>\n<p>I Am An American \u2013 The Album is a production of The Immigrant Story as a part of its Live productions.<\/p>\n<p><strong>Hope is All We Need<\/strong>, with the haunting Japanese shakuhachi, Bala invokes an initial doubtfulness and hesitation, but as the piece progresses, it moves confidently giving much more hopeful notes for what is to come. This piece also fuses the sounds of koto, and taiko along with the melodious choral voices.<\/p>\n<p><strong>Temple Romance<\/strong> goes to South Indian classical flute melodies blended with a strong string and chorale harmonies. Bala\u2019s inspiration for this piece is derived from an early morning scene in a typical South Indian temple town where a woman is looking beautiful with flowers in her hair, wearing a bindi on her forehead and getting ready for morning worship at the temple.<\/p>\n<p><strong>Magic Gem<\/strong> takes a classic Western melody and adapts it to an Eastern classical vibe using the Chinese erhu, played by Jerry Lin. This combination invokes a new sound that is almost magical.<\/p>\n<p><strong>Hit the Strings<\/strong> is based on a Middle Eastern musical scale and features the Japanese koto played by Masumi Timson. Many cultural influences flow between the Middle East and India and this piece is a beautiful marriage of Indian and Persian classical melodies, but played on a Japanese instrument.<\/p>\n<p><strong>Harmony of Rhythms<\/strong> features young musicians from Portland Kalai Kuzhu playing parai drums, one of the oldest instruments in India but one that, until now, has not been heard often in the West. In India the parai is usually traditionally played on the occasion of a death, when it is played as a sendoff for the deceased. This is the first time the parai has appeared in a musical fusion with Japanese taiko drums played by Michelle Fujii and Toru Watanabe (Unit Souzou) and Latin-Afro drums played by Mimy Manavihare.<\/p>\n<p>Balamurali Bala, India: Conductor\/Keyboard\/Percussion<\/p>\n<p>Masumi Timson, Japan: Koto<br \/>Yuzhong Lin (Jerry), China: Erhu<br \/>Mitch Iimori, Japan: Shakuhachi, Oboe, Shamisen<br \/>Vijay Venkatesh Kannan, Germany\/India: Bansuri, Kanjeera, Morsing \u2013 Indian Flute<\/p>\n<p>Nat Hulskamp, Portland, OR: Nylon Guitar,<\/p>\n<p>Vijeta Sathyaraj, Hong Kong: Violin<br \/>Kim Mai Nguyen, France: Viola<br \/>Avery Waite, Portland, OR: Cello<\/p>\n<p>Jason Sabino, Philippines: Choir Chair<br \/>Tom Harper, Portland, OR: Choir<br \/>Ona Schoening, Portland, OR: Choir<br \/>Madi Zuro, Portland, OR: Choir<br \/>Caitlin Stave, Portland, OR: Choir<br \/>Aaron Richardson, Portland, OR: Choir<\/p>\n<p>Karthick Rajagopal, India: Keyboard<\/p>\n<p>Fiaindratovo Manavihare, Madagascar: Percussion<br \/>Michelle Fujii, Portland, OR: Taiko<br \/>Toru Watanabe, Japan: Taiko<\/p>\n<p><strong>Drum Ensemble (for the Harmony of Rhythms)<\/strong><\/p>\n<p><strong>Portland Kalai Kuzhu Players:<\/strong><br \/>Chitra Muthaiya<br \/>Athira Balu<br \/>Asmitha Ananthan<br \/>Pon Muhilan<br \/>Sylace Srinivasan<br \/>Kumaran AE<br \/>Anusha Jeyakumar<br \/>Sahana Muthaiya<br \/>Nivedha Sathish Kumar<br \/>Lingesh Hari<\/p>\n<p><strong>FIKIRA:<\/strong><br \/>Fiaindratovo Manavihare, Latin-Afro Drums<\/p>\n<p><strong>UNIT SOUZOU and Korekara Taiko<\/strong><br \/>Michelle Fujii, Taiko<br \/>Toru Watanabe, Taiko<\/p><p>This <a target='_blank'  href=\"https:\/\/theimmigrantstory.org\/i-am-an-american-the-album\/\">post<\/a> was originally published on <a target='_blank'  href=\"https:\/\/theimmigrantstory.org\/\">this site<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>I Am An American \u2013 The Album is a collection of pan-Asian music highlighting traditional Asian instruments backed by Western classical harmonies. \u00a0 Featuring intriguing combinations of musical sounds never [\u2026]<br \/>\nThe post I Am An American \u2013 The Album appeared first on The Immigrant Story.<\/p>\n","protected":false},"author":2,"featured_media":29749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[32],"tags":[],"_links":{"self":[{"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/29747"}],"collection":[{"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=29747"}],"version-history":[{"count":2,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/29747\/revisions"}],"predecessor-version":[{"id":29750,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/posts\/29747\/revisions\/29750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/media\/29749"}],"wp:attachment":[{"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=29747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=29747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/immigrationglobalspace.com\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=29747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}